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Kintsugi Jar, Christian Wall Art

Full-page painting, no lettering Free US shipping

Kintsugi Jar oil-style print, in a walnut frame with a white mat
Kintsugi Jar oil-style print, framed and hung on a painted wall above a wooden ledge
Kintsugi Jar oil-style print, close-up of the oil-style painting
1. Size
Metric and A sizes (7)

2. Or print it yourself

Free shipping · 30-day returns

Build a gallery wall: save 25% on 3 prints or more, applied in your cart.

  • Free US shipping
  • Printed in the USA
  • 30-day returns
  • King James text, checked
57
prints in Psalms & Scripture
$29
smallest print
2–5
days to dispatch
The print

A giclée print on thick archival matte paper of at least 200gsm. The painting runs edge to edge, with no lettering and no paper border. Sold without a frame.

Shipping

Printed to order and shipped within 2 to 5 business days, from a print studio in the United States. Shipping is free on every order.

Returns

Returns accepted within 30 days of delivery.

Digital download

Seven high-resolution files covering every common frame ratio, 4096 × 6144 px, good for printing up to A1. Nothing is shipped.

About this print

Kintsugi Jar

A jar that was broken into pieces, joined again with gold, and held carefully in two strong hands.

What is painted

The jar sits at the heart of the picture, round and pale, with a narrow neck and a rolled rim. Its surface is made of separate shards, and every gap between them is filled with bright gold, thicker in some places, fine as a thread in others.

Two hands hold it from both sides. They are weathered and strong, the hands of a craftsman, coming out of wide ivory sleeves. The jar rests on a rough stone ledge, and warm light rises behind it so the gold seams seem to glow from inside. We never see a face, only the vessel and the care taken with it.

The image is an impressionist oil-style painting printed edge to edge, and it carries no text.

The potter in Jeremiah 18

In Jeremiah 18:1-6 the Lord sends the prophet down to the potter's house. Jeremiah watches him at the wheel: “And the vessel that he made of clay was marred in the hand of the potter: so he made it again another vessel, as seemed good to the potter to make it” (Jeremiah 18:4). Then comes the lesson: “Behold, as the clay is in the potter's hand, so are ye in mine hand, O house of Israel” (Jeremiah 18:6).

Kintsugi adds a second picture to the first. It is a Japanese method of repairing broken ceramics with lacquer and powdered gold, so the lines of the break remain visible and become part of the object's beauty. This painting shows that idea in oil-style paint: Jeremiah's potter reworks soft clay, while kintsugi rescues a vessel that has already been fired and cracked. Both speak of a maker who does not throw his work away.

A print for a season of repair

Place it on a kitchen wall, in a study or near a reading chair. It is a meaningful present for someone in recovery, a friend rebuilding after loss, or a potter or ceramic artist who shares the faith. Its neutral cream and gold tones also suit modern, minimalist and farmhouse rooms.

Each one is printed to order in the United States as a giclée on heavyweight archival matte paper, with free US shipping. It is sold unframed in sizes from 5x7 to 24x36 inches, as well as metric and A sizes. You may also purchase a digital file.

Hang them together

Complete the wall

Hang three together and save 25% on your prints.